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lost their lives trying. Both of warnings were violated (the those rules apply to Uzbek folktales in the same manner as
third element). However, it should be noted that, within the they do to English, Russian, and other tales.
main storyline there is a short parallel story about the cruel
king's son – Bakhadu, who transforms into the main Mislabu is considered a fairy tale with a complex structure. It
differs from the traditional fairy tales by the presence of
character at the end of the story, and that short story also
several plots, and the cruel main hero, who is finally defeated
has a classical motif of Interdiction related to the king's son.
by his son, who never did anything heroic. But still the
He was warned not to open the last of the forty doors in the
castle he lived in, and not to look under the mat, that was on standard classifications match the storyline.
the floor in the room behind that door. As a conclusion it can be noted that the assumption that all
the fairy tales of different nation have common roots can be
The third element (Violation of interdiction), follows in all
three cases depicted above, and in the first two cases, with proven by classifying them and analyzing the outcomes.
They all meet the same criteria (in general) and have similar
the king involved, the villain appears – PeryYunuskhan (in
structural elements. Even quite "unusual" tale as Mislabu,
conformance with Propp's classification), but in the third
demonstrates features inherent in typical folktales of east
case, there is no villain, and the boy just falls in love with
Mislabu after seeing her picture under the mat. Elements and west. Analyzing fairy tales, Propp came to a conclusion
that there are only 31 elements (functions) in tales all over
from 4 to 7 (Reconnaissance, Delivery, Trickery and
the world. Keeping that in mind, along with the idea of the
Complicity) do not apply this tale, and the Element 8 - Lack
common origins of the fairy tales, a conclusion can be drawn
of something, here closely relates to Element 1 –
Absentation, since the king feels need for Mislabu. King's that the motifs can also be classified and structured to
simplify the research in this sphere.
desire to search for Mislabu personally, his route and the
appointment of vizier to rule the kingdom while the king is References
on a trip can all be classified as Propp's Elements 9,10 and [1] V. Propp, Morphology of the Folktale: Second Edition,
11 Mediation, Counteraction and Departure respectively. University of Texas Press, Austin, Texas, 2003
When it come the Elements 12 and 13 (Testing: Hero is [2] R.M. Volkov. Story. Research on the plot of a folk tale,
challenged to prove heroic qualities and Reaction: Hero Kharkov, 1924 (Волков Р.М. Сказка.
responds to test)they can be attributed to the case when the Разысканияпосюжетосложениюнароднойсказки,
king finds a way to get into the beauty's castle and make her Харьков, 1924)
agree to marry him. As a result, hero becomes able to benefit [3]
Mislabu's magical helpers and items (flying horse, giants, you I.P. Chernousova, The structure and artistic functions
of dialogue in the Russian fairy tale, Voronezh, 1994
the sizing water).
(Черноусова И. П. Структура и художественные
The description of the way how the king gets into the функции диалога в русской волшебной сказке.
Mislabu's castle and her bedroom, the process of tying her Воронеж, 1994)
hair to make her agree to marry, the swimming of the king in [4]
youth sizing water and the agreement of Mislabu to marry M. Afzalov, et al. Uzbek Folktales, Publishing house of
literature and art named after GafurGulyam, Tashkent
king can be attributed to Elements 15, 16, 17 and 18
1972
(Guidance, Struggle, Branding and Victory) respectively. The
transfer of Mislabu's castle to the king's city can be [5] W. Wundt, Probleme der Völkerpsychologie, Stuttgart,
considered as the Resolution (19) and Return (20) element. 1921

After returning back home, king has to fight an [6] Cambridge Dictionary. Dictionary.cambridge.org.
PeryYunuskhan's army that was chasing since he stole [7]
Mislabu. The chasing itself (Element 21 - Pursuit) is not Kadirova N. A. Transformation motives in ancient
literature. International scientific review LXIII,
depicted in the fairy tale, but it is noted that the chasers
2019.№LXIII. URL:
reach the king in his kingdom, and he wins them, with the
help of Mislabu (Element 22 – Rescue). https://cyberleninka.ru/article/n/transformation-
motives-in-ancient-literature
Although the king swam in you the sizing water, his return [8]
was not unrecognized (Element 23). Everyone in the Kadirova Senior Teacher N. et al. POETIC FUNCTIONS
OF THE TRANSFORMATION MOTIF IN WRITTEN
kingdom knew that the king has returned.
LITERATURE //Philology Matters. – 2020. – Т. 2020. –
Elements 24-30 are not directly present within the plot, and №. 2. – С. 17-31.
the final episode of the fairy tale relates to the motif of [9]
father-son competition, in which the cruel king is defeated Nurilloevna H. M. Mythology in folklore and its
and expelled (Element 30 - Punishment). His son marries features //Middle European Scientific Bulletin. –
2020. – Т. 6. – С.63-66.
Mislabu and rules the kingdom (Element 31 - Wedding and
ascending the throne). [10] SharipovaD. Sh. THE LEXICAL-SEMANTIC
PROPERTIES OF THE SYMBOL. //International
The analysis of the above Uzbek fairy tale in accordance with
the general classification of functions and motifs reveals that Journal on Integrated Education. – 2020. – Т. 3. – №.
9. – С. 177-180.

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